GLOSSARY
Absorption
Absorption is the reduction of reflected sound
energy that occurs when sound comes into
contact with various surfaces and materials.
When sound comes into contact with thick,
fibrous materials such as drapery, a great deal
of sound energy can be absorbed and less
sound is reflected back toward its origin.
Active Acoustics
Active Acoustics use Passive Acoustics as
their base, but also use electro-acoustic
elements — speakers, microphones, digital
signal processing — to positively affect the
acoustics of an environment.
Diffusion
Diffusion is the scattering and redirection of
sound that occurs when sound strikes an
acoustically reflective surface. Diffusion is
necessary so that sound can be clearly heard
from all points in a facility. The extravagant
ornamentation in historic theaters, for example,
provides many angled, acoustically reflective
surfaces which result in excellent diffusion.
Echoes
Echoes are produced when different surfaces
reflect sound to a listener long after the direct
sound from the original source has already
been heard. Trombonists onstage often produce
echoes off the back wall of an auditorium. While
both absorbers and diffusers can be used to
control echoes, diffusers are generally preferred.
Flutter
Flutter occurs when a sound source is situated
between parallel, sound-reflecting surfaces. A
rim shot played on a snare drum inside an
untreated rectangular classroom will produce
the prolonged, buzzing sound of flutter.
Diffusers are generally the best cure for flutter.
Frequency
Frequency is the physical description of musical
pitch. A thick carpet absorbs a portion of the
high-frequency sounds of a piccolo but has little
effect on the low-frequency energy of a tuba.
Loudness
Excessive loudness occurs when an ensemble
plays in a room that is too small or acoustically
untreated. Absorber panels can help control
excessive loudness.
Masking
Masking occurs when a noise conflicts with
a musical sound similar or higher in pitch.
Building mechanical system noise can easily
mask the sound of basses and cellos in an
orchestra rehearsal hall.
Noise Criteria (NC)
Background noise within an environment is
measured via a Noise Coefficient, or NC.
Different spaces require different NC values.
Passive Acoustics
Passive Acoustics is the use of specially
designed products to treat the acoustics within
a room. These absorption and diffusion products
are applied or placed in a space to balance the
way sound is absorbed and distributed within
the treated environment.
Presence
Presence is achieved within a room when
the primary reflections of sound from room
surfaces, such as walls and ceilings, arrive
back at the musician’s ears within 30 to 80
milliseconds (thousands of a second). This
delay cannot be achieved without significant
room size — the distance from the musician
to the walls and ceiling — or active acoustics.
Reflection
Sound reflection off a hard, flat surface can be
compared to the reflection of light off a mirror.
Vocalists often stand back from the edge of a
stage so that their sound can be reflected off
the platform into the audience.
Resonance
Resonance is the emphasis of a particular
frequency. This may occur when there is vibration
of materials or furnishings that are exposed to
high sound levels. The sympathetic vibration
then may create a sound on its own.
Reverberation
Reverberation is the buildup of reflected sound
in an enclosure that affects the character and
quality of music. The sound of a band in a
fieldhouse is reverberant because it is reflected
many times before it dies away. The same
music played outdoors does not reverberate
because there are no walls or ceiling to contain
it. Absorbers are required to control excessive
reverberation.
Transmission
Sound transmission can occur through materials
as light as air or as dense as concrete and steel.
The sound of bouncing balls in a gymnasium is
transmitted into an adjacent choir room primarily
through the building structure while the majority
of the sound of a choir heard in an adjoining
corridor is transmitted through the gaps around
the rehearsal room door.
Visual Acoustics
Visual Acoustics are designs within the Music
Suite that feature visually attractive elements
that have an adverse affect on quality acoustics.
Curved walls and domed ceilings, for instance,
create hot spots where sound concentrates and
sound quality suffers. The domes and concave
walls, though pleasing to the eye, are terrible to
the ear.
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Glossary